Rooms Quotes

There's tremendous pressure, if you're in that [goverment] system, to be involved and be interested and to care about it. There's no room to say, "This is stupid."

I think it's good to have an old fashioned musical as well as new musicals. There's a lot of room for different shows.

I feel a lot more comfortable at shortstop, but it's no problem, I'll move to make room.

When I open my mouth, the room rings.

You wanted to destroy philosophy and poetry in order to make room for religion and morality which you misunderstood: but you wereable to destroy only yourself.

Tom Osborne, Lou Holtz, Bobby Bowden were in our living room. My mom didn't know who they were!

...in your living room, you're scared shitless. And that's just where the power structure wants you. In the middle of a riot, I've never found anybody who's chickenshit. The way to eliminate fear is to do what you're most afraid of.

From when I was born, my dad would dance with me in his arms, and I would watch my siblings dancing around in the living room. I just grew up with that. That was just my life.

Standup is tough; if you are going through a hard period in your life, it is very hard to get up in front of people and be the happy guy in the room.

Be on guard, my soul, of complicating your environment so that you have neither time nor room for growth!

The attitude is in my personality. It's going to come out in the songs no matter what. If you're pushing the vocal constantly at 10, there's no room for any dynamics. There's no room for any variation in tone. There's no room for anything.

I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.

Every company has room for the man who has a definite plan of action which is to the advantage of that company.

You know what, I think maybe it's because men like to fart, and the host wants to be able to sit in his writers' room and just pass gas freely. Me, I'm a lady. I'm dainty. I know to get up and leave the room and go to my office.

I still see myself as a bit of a cottage industry. Being in a room creating stuff and seeing if anyone wants it, as opposed to going to work for someone.

I'd love to think that people in the future would gather in theatres, at conventions, and in darkened rooms, and read it out to each other.

There's not a lot of room for un-ironic emotion in contemporary culture. I think that irony is an important tool in dealing with the world as we find it. It's a tool of protection, but it can also be a tool of incision to get to some truth. But along the way maybe we've lost some of what I think of as the power of straightforward emotion and earnestness and seriousness.

The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.

Common sense comes from experience, and kids need to fail as well as succeed in order to learn it. It's difficult to develop common sense when you spend a lot of time in your room where nothing much happens.

You can keep the dining room clean by eating in the kitchen.

A child gets a fever in the United States and it's high enough and sustainable enough, all of us can bring a child to an emergency room. Most Haitians never had that opportunity. They didn't have the emergency room to bring them to. Virtually every time your child has 102 fever, you wait for it to die and you have no clean water to give it.

Little miss is taught by her mamma that she must never speak before she is spoken to. On this she sits bridling up her head, looking from one to the other, in hopes of being called to and addressed by the name of pretty miss.... But if this should not happen and no one should take any notice of her, she is ready to cry at the neglect. But should there be another miss in the room caressed and taken notice of whilst she is thus overlooked, it will be impossible for her to contain her tears, and blubbering is the word.

I take a very practical view of raising children. I put a sign in each of their rooms: 'Checkout Time is 18 years.'

Our chaotic economic situation has convinced so many of our young people that there is no room for them. They become uncertain andrestless and morbid; they grab at false promises, embrace false gods and judge things by treacherous values. Their insecurity makes them believe that tomorrow doesn't matter and the ineffectualness of their lives makes them deny the ideals which we of an older generation acknowledged.

He [Wladimir Klitschko] likes silence when he fights because it gives him time and room to think. He doesn't like things to get chaotic or crazy.

Freedom is not caprice but room to enlarge.

Whosoever shall look heedfully upon those who are eminent for their riches will not think their condition such as that he should hazard his quiet, and much less his virtue, to obtain it, for all that great wealth generally gives above a moderate fortune is more room for the freaks of caprice, and more privilege for ignorance and vice, a quicker succession of flatteries, and a larger circle of voluptuousness.

When I went to the University of Iowa in order to be a writer, I thought, This is the worst way to learn how to write. To sit in a room with a bunch of would-be writers, who want to write the Great American Novel, every one of them, and you read their stories and they read yours, and you're not living a life. I don't like that. I like learning on the job. The character of my work has definitely evolved from the character of my life.

I love to go to the movies with people, but a lot of the time it's me in a room with a bunch of other movie critics, which is fine.

The biggest thing I've noticed with some of my favorite directors is their gift of sticking a bunch of strangers in a room together and making them comfortable and making them into a cohesive group. There's magic involved, because you don't know why anybody would pick this group of people.

Almost any problem, whether it's telling a family story, or telling a network-quality story, or answering a network note, becomes essentially instantly solvable, because you have a bunch of brains sitting in a room.

It wasn't just that my breasts were sore and my legs seethed with restlessness at night. A knitted cap seemed to have settled on my brain as well. Never think that pregnancy is just a spare room in a woman's house; it changes everything - the heat, the light, the furniture.

I would prefer to have one comfortable room well stocked with books to all you could give me in the way of decoration which the highest art could supply.

How hard can it be to blow up a room full of gasoline?!

When I first started doing comedy, there was no such thing as a room that had black people and white people in it. That didn't exist.

I'm doing the exact same thing and adding a little bit more flexibility. I'm going to bench here. I'm not a kicker who's just going to hang out at practice. I'm going to be in the weight room pushing linebackers, defensive ends, tight ends. I'm going to push everyone. whatever I'm doing, I'm putting up numbers that someone else would do. Not only do I love working out, but at the same time it's able for others to maximize their potential.

A modest ring at the bell at length allayed her fears, and Miss Benton, hurrying into her own room and shutting herself up, in order that she might preserve that appearance of being taken by surprise which is so essential to the polite reception of visitors, awaited their coming with a smiling countenance.

I think The Room is something magnetic, a certain magnetism in The Room that is related to human behavior, and that's why people relate to it.

I can't believe we got grades in gym class. I've never used anything I learned in there. "All right, I'm standing in front of a room full of strangers. Based on what I learned in gym class, I will throw a red ball at a fat guy."

I was highly aware, in writing [the book] ROOM, that there are unsavoury aspects to our interest in such cases, and I thought it was rather honester to include discussion of media representation in the novel itself than to cling to the high moral ground by merely avoiding scenes of voyeurism, for instance.

You can't anticipate in the room the riches of what you encounter when you're location hunting for a movie.

Enchantment can be done with writing but I think enchantment is basically a prospective or an operating system for life. That you can enchant a person who is assigning your airplane seat, your hotel room, your waiter, your waitress.

In the summer after kindergarten, a friend introduced me to the joys of building plastic model airplanes and warships. By the fourth grade, I graduated to an erector set and spent many happy hours constructing devices of unknown purpose where the main design criterion was to maximize the number of moving parts and overall size. The living room rug was frequently littered with hundreds of metal “girders” and tiny nuts and bolts surrounding half-finished structures. An understanding mother allowed me to keep the projects going for days on end.

I don't really collect books. I tend to lose interest in them the minute I've read them, so most of the books I've read are left in airplanes and hotel rooms.

The Enormous Room seems to me to be the book that has nearest approached the mood of reckless adventure in which men will reach the white heat of imagination needed to fuse the soggy disjointed complexity of the industrial life about us into seething fluid of creation. There can be no more playing safe.

All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.

I don't think my acting was ever bad; I always knew that I could do it. But when you go to audition for a drama, they're very serious in the room, and I was used to being kind of goofy and having small talk.

The United States has the most sophisticated financial markets in the world, which does not leave much room to maneuver. But it also offers investors the greatest access to information and the ability to execute trades quickly and efficiently. So it is a mixed bag of opportunity.

The House of Lords, architecturally, is a magnificent room, and the dignity, quiet, and repose of the scene made me unwillingly acknowledge that the Senate of the United States might possibly improve its manners. Perhaps in our desire for simplicity, absence of title, or badge of office we may have thrown over too much.

A photograph is both a pseudo-presence and a token of absence. Like a wood fire in a room, photographs-especially those of people, of distant landscapes and faraway cities, of the vanished past-are incitements to reverie. The sense of the unattainable that can be evoked by photographs feeds directly into the erotic feelings of those for whom desirability is enhanced by distance.