Tactile Quotes

I'm very tactile. I'm a big hugger, one of those huggy people.

When I was really young, I gravitated towards the visual arts first. I feel that's what comes most naturally to me. I've always had an immediate proclivity towards making visual art and I was a really tactile kid.

Writing has always had a tactile quality for me. It's a physical experience.

I try to make songs visual and tactile to kind of put you into the action.

I think I find tactile things, you know. Just the feeling of blood itself is enough for me. If you, even if it's not real blood. I mean that's enough, like sometimes there are very simple things that are enough.

After half an hour the drug hit me like a sensuous tidal wave. I turned into a tactile temptress and wanted to stroke the whole world. It gave me untold confidence.

It's cool that you hear something, but what did you feel and what was your tactile and kinesthetic response to it? Those songs and creative sessions mean the most.

I'm tactile, very tactile. A woman who has really nice, looked-after skin is such a turn-on for me. It's always sexy.

Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like Titian and Rembrandt, gives greater life and tactile experience to the work.

This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.

Whatever it takes to get the image to reach that level is what that photographer needs to do.

The musician of disordered sound, the poet of decomposed language, the painter and sculptor of the fragmented visual and tactile world: they all portray the break up of the self and, through the rearrangement and reassemble of the fragments, try to create new structures that possess wholeness, perfection, new meaning.

I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin, so you try to make the films really tactile.

Paint is something that I use with my hands and do all those tactile things. I really don't like oil because you can't get back into it, or you make a mess. It's not my favourite thing - pencil is more my medium than wet paint.

I'm quite tactile, so I like fabrics that feel good. I try to avoid fabrics that crease - especially with my son. When you have a child, that's important. A great pair of a jeans, a t-shirt and some loafers, that's what I always wear.

I like when a poem ends on its "receipts," meaning it gives me something tactile or tangible to dwell on as I exit the reading experience. So I strive to end my own poems that way as well.

To be a modern person in 2012, you are often required to have some electronics in your life. And I do. I try to put that phone down, put the computer away, and get out there and hike in the woods; feel it in my feet, feel it in my hands; get out in the garden and feel the soil under my fingers, my fingertips and my fingernails. I try to be involved in nature in a very tactile way. I think that's important.

We believe that the all-new ES 350 epitomizes Lexus' new design direction. Every element of this vehicle invites participation -- both visual and tactile. Its design is something drivers will need to experience and not just observe.

Light is quite tactile to me. It has shape and dimension.

Digital doesn't interest me. It's too many steps removed from the actual tactile thing. I still read books. I don't read online.

The younger people get into the lyrics in a different way; there's much more of a tactile understanding, which is the way I prefer it.

The original meaning of the word tact referred to the sense of touch (as in 'tactile'), and came to mean skill in dealing with persons or sensitive situations. Tact is defined as: 'intuitive perception, especially a quick and fine perception of what is fit and proper and right.' It alludes to one's ability to conduct delicate negotiations and personal matters in a way that recognizes mutual rights, and yet leads to a harmonious solution.

When you look at the whole explosion of the Internet, the decline of print journalism, there are all of these plus-or-minus ramifications, and you have to work it out. The great thing about books is that you have a tactile thing that's there. You can download this or download that, but how long do you want to be staring at a screen for the rest of your life? You've got to have some kind of proper interface for people that's not about the screen.

What greatly attracted me - and it was the main line of advance of Cubism - was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still lifes, because in nature there is a tactile, I would almost say a manual space... that was the earliest Cubist painting - the quest for space.

It is strange that the tactile sense, which is so infinitely less precious to men than sight, becomes at critical moments our main, if not only, handle to reality.

I come alive when I have assisted in bringing out the printed word on the stage, you know, and I enjoy directing plays. It's a tactile process, theatre, unlike a number of other forms of the creative work.

If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.

The rope connecting two men on a mountain is more than nylon protection; it is an organic thing that transmits subtle messages of intent and disposition from man to man; it is an extension of the tactile senses, a psychological bond, a wire along which currents of communication flow.

In figure painting, the type of all painting, I have endeavoured to set forth that the principal if not sole source of life enchantments are Tactile Values, Movement and Space Composition.

Semiotics is a general theory of all existing languages... all forms of communication - visual, tactile, and so on... There is general semiotics, which is a philosophical approach to this field, and then there are many specific semiotics.

My sense of view became tactile not colourful, immediate not distant. Something within arms' reach

The tusk is a very tactile shape, looks great among the other charms and is a cool piece that I like.

All changes in space which we see, hear, smell or taste are literally tactile impressions. All our senses are variations of our unique sense of touch. Two approaching objects touch one another when they finally meet without a noticeable space between them. ... This is what happens in any condensing matter in which the outer aspects move towards a centre... Each single part of matter approaches its neighboring part until the two collide, causing an impact or a pressure. It is space, which appears and disappears between and round object and in the movements of the particles of the object.

It's actually as simple as this. New authors, building their customer base, need physical bookshops. Physical bookshops are lovely tactile, friendly, expert, welcoming places. Physical books, which can only be seen and handled in physical bookshops, are lovely, tactile things. Destroy those bookshops, and the very commercial and cultural base to the book industry is destroyed. Once and for all. Like Humpty Dumpty, it can never be put together again.

The traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it.

It was Stieglitz's endeavor... to translate the unseen world of tactile values as they develop between lovers not merely into the sexual act but the entire relation of two personalities - to translate this world of blind touch into sight.

Whatever it takes to get the image to reach that level is what that photographer needs to do. And for me, I just have such a love of the tactile and sensuous quality of a black and white silver gelatin print.

Since most of the action of the war actually happens off the page (offstage), I wanted to give the characters something they had to contend with on a daily basis, some sort of obstacle. Weather seemed to be the one great equalizer regardless of your station in life - when it snows, everyone is inconvenienced to a certain degree. Plus it's tactile, weather, it affects the skin.

Our knowledge of shape and form remains, in general, a mixture of visual and of tactile experiences... A child learns about roundness from handling a ball far more than from looking at it.

You can look at things all your life and not see them really. This ‘seeing’ is, in a way, a ‘not seeing,’ if you follow me. It is more of a search for something, in which, being blindfolded, you develop the tactile, the olfactory, the auditory senses —and thus see for the first time.

Human beings are really attuned to their senses. When you work in film, you are working with the visual and audio senses. An understanding of tactile and other components that go into the creation of those objects are important to making them look real on screen, like a plasma of energy.

I love building spaces: architecture, furniture, all of it, probably more than fashion. The development procedure is more tactile. It's about space and form and it's something you can share with other people.

Cultivate an ongoing stream of self-description, telling yourself what is happening. Get used to the idea that mind can penetrate the immediate surface of being and reveal the tactile density of it as a manifold whose measure cannot be immediately taken by the eyes, that it's deep, it's connected, it's complex. Everything holds within itself the anticipation and the memory of everything else.

I animated everything traditionally, on paper. I love how the texture of paper looks (it also matches textures of papier-mâché) and I love the tactile process.

I'm a very tactile learner, so I need analog index cards, moving them all about, trying out various sequences for the book's architecture.

I'm a huge Hayao Miyazaki fan. He might be my favorite director of all time - the beauty that he sees in the world and the attention to detail. I try and focus on that while making music: trying to use as many real instruments as possible, have it feel as tactile and tangible as possible.

With my work I attempt to help man to overcome his alienation; I do this by surrounding his daily life with objects, which confront him in a tactile way with the final and deepest problems of our existence. I want the means that I employ to create the necessary stimulus to be as direct as possible. Instead of giving a sermon on humility, I often prefer to depict humility itself.

I found climbing to be a very tactile sport. There's no ball that is zipping through the air ready to crack you in the head. It is just you and the rock base.

• Eating disorders are addictions. You become addicted to a number of their effects. The two most basic and important: the pure adrenaline that kicks in when you're starving—you're high as a kite, sleepless, full of a frenetic, unstable energy—and the heightened intensity of experience that eating disorders initially induce. At first, everything tastes and smells intense, tactile experience is intense, your own drive and energy themselves are intense and focused. Your sense of power is very, very intense. You are not aware, however, that you are quickly becoming addicted.

I think there are definitely two types of student: the academic kids and the 50% who fail. It's very clear to see - it's fact. We're not doing enough for those who fail; they need a more physical, tactile approach, involving people skills, team-building, problem-solving, building things.