Stella Quotes

I think Stella Tennant is amazing. And then I really loved all those 60s society models, like Edie Sedgwick.

I always tell the truth, Stella replies. Although I sometimes confuse the facts.

Stella McCartney is [my] big fan.

Stella Duffy is a writer who never lets you down.

I was always looking at Helmut Newton photos with the Le Smoking suit and Stella Tennant in Self Service magazine. It was never just about an ultrafeminine woman for me.

I have a background in theater. At the time I read The Loved Ones script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in A Streetcar Named Desire and Isabella in Measure for Measure.

Kate(Henshaw-Nuttal) was superb. The same for Stella(Damasus-Aboderin) and, of course, Jeta and Jumai(Joseph). They can work anywhere in the world. I think you can put Jeta and Stella on a plane and fly them to London or to Los Angeles to go and work.

My old school, St Stella’s, only goes to Year Ten and most of my friends now go to Pius Senior College, but my mother wouldn’t allow it because she says the girls there leave with limited options and she didn’t bring me up to have limitations placed upon me. If you know my mother, you’ll sense there’s an irony there, based on the fact that she is the Queen of the Limitation Placers in my life.

My eyes are bright, my hair has come loose from its ribbon, and Stella's scarf is waving around my neck. But that's not what I see when I look at the picture. I see three unlikely friends holding hands. And Ryan, Kenny, and Melanie are standing behind us, rapt. And in the sky above us, I see a miracle.

Once I really started to understand Frank Stella's work and follow it, there's a certain type of invention and playfulness and extreme rigor with which he kept going forward.

Each time I spend with Stella McCartney, I like her better. So I was excited to be asked by her.

There was one moment where they were riding their little ponies in Scotland, and Stella said to me: 'Dad! You're Paul McCartney, aren't you?' 'Yes darling, but I'm Daddy really'.

Wearing a bold print gets harder as you get older. Its safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.

Randall laid his hand on Stella's, but only to remove it from his sleeve. "My precious, you really must have some regard for my clothes," he said with gentle reproach. "Much as I love you, I cannot permit you to maul this particular coat.

I'm a fan of designers and clothes that look beautiful, but more importantly, make me feel beautiful and confident. It's why I've always loved Stella McCartney, and more recently, Prabal Gurung. Their pieces are cool, yet timeless, and the fits are effortlessly flattering.

I don't have a favourite designer because I feel every designer offers something different and special, but I do really like Alexander Wang, Burberry, Stella McCartney and Balmain.

Every day I'd say I look different. Sometimes I look really formal, sometimes I love the classic Stella McCartney, Chloe Sevigny and Gwyneth Paltrow thing. Other days I like being rock star and wearing leather jackets and studs. I love wearing Burberry - it's the perfect combination of formal and punky.

It's how they've stayed popular for so long. By not doing anything that will make them look like fools. They never leave home without their safety nets and I think, good for them, but the thing with safety nets is this. I got tangled in them so many times and the Stella girls always seemed to leave me dangling, upside down, to the point where I almost couldn't breathe anymore.

All I need is the breakthrough. The joint-venture for my clothing. Same as Stella McCartney has.

When I get home, I'm not the boss like I am at work - I slip into a more feminine role. I take everything off and put on my Stella McCartney silk robe. I'll put on a red lip or red nails, and it lifts my mood. Sexy underwear also gives you a spark.

I like big books and I cannot lie. You other readers can’t deny That when a kid walks in with The Name of the Wind Like a hardbound brick of win. Story bling. Wanna swipe that thing Cause you see that boy is speeding Right through the book he’s reading. I’m hooked and I can’t stop pleading. Wanna curl up with that for ages, All thousand pages. Reviewers tried to warn me. But with that plot you hooked Me like Bradley. Ooh, crack that fat spine. You know I wanna make you mine. This book is stella ’cause it ain’t some quick novella.

Stella: And when he comes back I cry on his lap like a baby.. [she smiles to herself] Blanche: I guess that is what is meant by being in love.

The integrity of being an artist for Frank Stella means going into the unknown.A great artist is somebody who's not scared to reinvent themselves and to start all over again. And some artists do it once, twice, three times in their career. He's done it probably a dozen times or more.

I'm married. My wife, Stella - a beautiful woman. She's brought a lot of peace to my life, a lot of wisdom.

I just remember Stella Tenant and me dancing in Donatella Versaces bathtub until like four in the morning. It was one of those pinch me moments.

I think the most note-worthy part is that Stella [Mozgawa] had joined the band two weeks before we started recording, so that really influenced the way that the album was recorded. It was really important for Stella and Jen[ny Lee Lindberg] to lay down the drums and bass first for most songs, because they were determining how they needed to lock in together, and Stella was still kind of learning and figuring out her parts.

You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.

I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.

Water, wind and birdsong were the echoes in this quiet place of a great chiming symphony that was surging around the world. Knee-deep in grasses and moon daisies, Stella stood and listened, swaying a little as the flowers and trees were swaying, her spirit voice singing loudly, though her lips were still, and every pulse in her body beating its hammer strokes in time to the song.

Stella: I got a nose for trouble. I can smell it ten miles away... I can smell trouble right here in this apartment. First you smash your leg. Then you get to lookin' out the window. See things you shouldn't see. Trouble. I can see you in court now, surrounded by a bunch of lawyers in double-breasted suits. You're pleading: 'Judge, it was only a little bit of innocent fun. I love my neighbors like a father.' And the Judge says, 'Well, congratulations, you've just given birth to three years in Dannemora.'

A good zoo," Stella said, "is a large domain. A wild cage. A safe place to be. It has room to roam and humans who don't hurt." She pauses, considering her words. "A good zoo is how humans make amends.

My favorite book of all time is Cold Comfort Farm, by Stella Gibbons.

What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein - Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example - like a caboose? I am not talking about engaging directly with another artist's work or ideas, but of perpetuating a look or, in the case of Wade Guyton, the various monochromatic, striped and geometric surfaces we associate with Minimalism.

Two goddesses now must Cyprus adore; The Muses are ten, and the Graces are four; Stella's wit is so charming, so sweet her fair face, She shines a new Venus, a Muse, and a Grace.

I like Stella McCartney, Chloe, Alexander McQueen, Aaron Featherstone, normal Chanel if I can ever afford it, I'd be wearing that all the time! I like to admire from afar.

I'm trained as an actor for the stage - classically trained, believe it or not - and I worked closely with Stella Adler for years. People don't know that much about it. They just think I am these people. But I've been in this comedy racket, because it's just how everybody wants to see me.

I used to put that I studied with Stella Adler on my resume. I never met Stella Adler. But if you told a casting director you studied with Stella Adler all the sudden they'd let you in the door.

I grew up in New York, in the Village, and I started going to Stella Adler pretty young. I was 13 or 14 years old. But I was also really shy when I was growing up.

(on Marilyn Monroe) I was walking down Broadway with her and nobody was stopping us. She was going to (Stella Adler's) actors' studio, and she was taking me to show me what it was all about. And I said to her: "How come nobody is taking your picture?" She said: "Well, watch." She took her scarf off, straightened her shoulders, and draped something another way, and we were surrounded. It must have been 400 people. And I said: "Now I know why!"

I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.

I said, 'I'm going to the United States to study with Stella Adler and do movies because nobody here has done it and my passion is films.' But I came here and I didn't speak English, I didn't have a green card, I didn't know I had to have an agent, I couldn't drive, I was dyslexic.

I was trained by Stella Adler for theater so you kind of give it all on every take.

Then I heard this genius teacher Stella Adler - I recommend you read anything you might find about her and if you have anyone interested in theatre, you get them one of her books.

I miss the Stella girls telling me what I am. That I'm sweet and placid and accommodating and loyal and nonthreatening and good to have around. And Mia. I want her to say, "Frankie, you're silly, you're lazy, you're talented, you're passionate, you're restrained, you're blossoming, you're contrary." I want to be an adjective again. But I'm a noun. A nothing. A nobody. A no one.

I went to acting school in New York City for two years. I studied with Stella Adler

Of course, in later years, I'd studied acting more than ever before - mostly with the late Stella Adler, who was marvelous! - but in my earlier years, I couldn't afford to do this.

You reminded me of a quote that my acting teacher Stella Adler wrote in her book ['The Art of Acting'], which I asked her to sign: "The young actor feels some greatness inside themselves that they want to give back to the world." That resonated with me, but I didn't really understand what she was talking about until much later, in the way you surmised that my struggle to become an actor was from being this kind of introverted young boy.