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I'm like most people. We just concentrate on the present. I live right where the film is going through the film projector and it hits the light.
Sep 10, 2025
I guess I'm a bit of a projector - my emotions tend to get translated into different, fanciful situations.
Our eyes are not viewers, they're also projectors that are running a second story over the picture that we see in front of us all the time. Fear is writing that script, and the working title is 'I'll never be enough'
Stop yelling at the movie, you ain’t never gonna change it like that. Go change the movie in the projector. You are the projector.
The most exciting time is when I think of an idea and how I imagine I can make it. It would be wonderful if there was a projector inside my eye that and it could just put the idea on the screen for people to see.
The practical value of history is to throw the film of the past through the material projector of the present on to the screen of the future.
If you are an enemy to your own mind, other people have to become enemies too, sooner or later. Until you understand, until you can love the thoughts that appear in your mind, then you can love the rest of us. You work with the projector -the mind - not the projected world. I can't really love you until I question the mind that thinks it sees you outside itself . . .
Smokin weed on the star projectors, I guess we'll never know what Harvard gets us
The present moment is changing so fast that we often do not notice its existence at all. Every moment of mind is like a series of pictures passing through a projector. Some of the pictures come from sense impressions. Others come from memories of past experiences or from fantasies of the future.
I love watching foreign films on my projector at home along with my closely knit group of friends and family. I also love to dissect movies and discuss them with my friends who are movie buffs.
The price of a memory, is the memory of the sorrow it brings.
I thought all I had to do was to buy a camera and become a film director. So when I left school I worked at a telephone company, which gave me the money to buy the basic equipment including the camera, the projector and the screen.
The world consists of images on a screen, and consciousness is the steady light that emanates from the projector.
Facebook, from what I can tell, is the virtual equivalent of dropping into the homes of several million people, all of whom say at the same time: 'Hey! Let's set up the slide projector!
Every people should be the originators of their own destiny, the projectors of their own schemes, and creators of the events that lead to their destiny -- the consummation of their own desires.
When you do The Work, you see who you are by seeing who you think other people are. Eventually you come to see that everything outside you is a reflection of your own thinking. You are the storyteller, the projector of all stories, and the world is the projected image of your thoughts.
My boyfriend and I just got a projector, so we've been screening movies on the roof and projecting them against the wall next door. The last one we did, the theme was, "The Russians are Coming". So we screened Red Dawn and Top Gun.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
The use of the Will as the projector of Mentative Currents is the real base of all Mental Magic.
When I was a kid, before there were VCRt, my parents had a movie projector, and we'd watch Frankenstein and Dracula. I just always though that stuff was cool - creepy comics and monsters and horrific stuff. Music lends itself to that whole theme.
When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird [1962], Gigi [1958], A Woman Under the Influence [1974]. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase.
The reality is in this head. Mine. I'm the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, and sometimes other orifices also.
Images flicker, each one bringing its own sorrow or its own smile. Sometimes both. At the very worst, an impenetrable and sightless black and at best, a happiness so bright that it hurts the eyes to see, coming and going on some unseen projector perpetually turned by an invisible hand. One, then another. The hollow click of the shutter. Now stop. Freeze this frame. Pluck it down and hold it close and be damned by what you see. Henri always said: the price of a memory is the memory if the sorrow it brings.
The projector will soon disappear. The camera, not really. OK, it depends... it depends on change.
I've seen plenty of films where the projector broke. The problems that we have in the digital age are exactly the same as we had. Instead of, 'There's a hair in the gate,' it's, 'The computer ate the footage.' There will always be things like that going on. Nothing is perfect.
The projectors in the theater practically shut down with boredom.
Malice is of the boomerang character, and is apt to turn upon the projector.
I'm big on having a blistering pace. That's one of the hallmarks of what I do, and that's not easy. I never blow up cars and things like that, so it's something else that keeps the suspense flowing. I try not to write a chapter that isn't going to turn on the movie projector in your head.
I watch a lot of Turner Classic movies. But I don't do private screenings. I don't have the old school, reel to reel projectors. I do have a big screen TV, though.
The dreams of the past - whether it was public TV being rolled into the classroom to teach Spanish, or the film projectors or the videotapes or the computer-aided instruction drill systems - the hopes have been dashed in terms of technology having some big impact. The foundation, I think can play a unique role there. Now, our money is more to the teacher-effectiveness thing, and technology is No. 2, but I'll probably spend more money on the technology things.
I always just forced myself to do crazy things in public. In college I would push an overhead projector across campus with my pants just low enough to show my butt. Then my friend would incite the crowd to be like, 'Look at that idiot!' That's how I got over being shy.
I'm supportive of women, absolutely, and it's so gratifying to have girls come up and say, 'I'm really inspired by your guitar playing.' I mean no disrespect to the sisterhood, but musically I feel more drawn to things like Dirty Projectors, the National and Grizzly Bear.
Taxing is an easy business. Any projector can contrive new impositions; any bungler can add to the old; but is it altogether wise to have no other bounds to your impositions than the patience of those who are to bear them?
Most big concerts sound disgusting and awful and insultingly bad. It's like going to the cinema and been shown a scratchy film which is upsidedown and the bulb had gone on the projector. The quality of large-scale live music is so shocking.
I did this Super-8 film at art school called Tissues, this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.
A book is a human-powered film projector (complete with feature film) that advances at a speed fully customized to the viewer's mood or fancy. This rare harmony between object and user arises from the minimal skills required to manipulate a bound sequence of pages. Each piece of paper embodies a corresponding instant of time which remains frozen until liberated by the act of turning a page.
There's something about looking at Super 8 films that is so evocative. You could argue it's the resolution of the film somehow because they aren't crystal clear and perfect,so there is a kind of gauzy layer between you and what you see. You could argue it's the silence of them. You could say it's the sound of the projector that creates a moodiness. But there's something about looking at analog movies that's infinitely more powerful than digital.
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
There is a sort of enthusiasm in all projectors, absolutely necessary for their affairs, which makes them proof against the most fatiguing delays, the most mortifying disappointments, the most shocking insults; and, what is severer than all, the presumptuous judgement of the ignorant upon their designs.
She gave me a pledge card, a card promising an annual gift of $5, $10, or $25 toward the support of the Unity mission. I filled it out under the hot light of the projector. The name and address spaces were much too short, unless you wrote a very fine hand or unless your name was Ed Poe and you lived at 1 Elm St.
Taxing is an easy business. Any projector can contrive new compositions, any bungler can add to the old.
The photographic enthusiast likes to lure us into a darkened room in order to display his slides on a silver screen. Aided by the adaptability of the eye and by the borrowed light from the intense projector bulb, he can achieve those relationships in brightness that will make us dutifully admire the wonderful autumn tints he photographed on his latest trip. As soon as we look at a print of these photographs by day, the light seems to go out of them. It is one of the miracles of art that the same does not happen there.
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