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I had the most incredible English and literature teachers in school, and it really influenced my love of storytelling. It's what made me excited to study journalism in college. I love editorials and documentaries. All of that came from being given the opportunity to lose myself in good writing when I was a kid.
Sep 18, 2025
The most important rule: Do not, I repeat, do not censor yourself in any way. Leave your editorial mind out of the loop. Just let the ideas come pouring out in any way, shape, or form they want to. Do not judge anything.
There's also a way that you have of being precise but also allusive, that works well for me - it's something about the open-hearted way you frame your queries. Instead of feeling daunted or discouraged, I feel excited to give whatever it is a try. This takes a lot of editorial wisdom and confidence - to know just how to get the writer to take that extra chance.
Enlightening editorial writers is even more difficult than educating educators.
Memories contain hidden editorials on current events.
When you're free of editorial control, you owe it to yourself to obtain feedback from friends and readers. Some take those criticisms to heart and incorporate it into their work, and some ignore them.
Identity means "how do I get known? How do I expressmyself?" and that's generally what I'm helping somebody do. It may be three dimensional, it may be a public space, it may involve government,it may involve cultural institutions, it may involve corporations, it may involve editorial publications - it can be anything, really.
The best young writers are convinced they need blurbs from famous writers before an editor will even read the first page of a manuscript. If this is true, then the editorial system that prevails today stinks. And let's start reforming it.
I believe our editorial decisions reflected our constant desire to make sure that we fully cover and analyze any issue and give our viewers all the information they need.
For the individual, as I can testify, a brief grounding in semantics, besides making philosophy unreadable, makes unreadable most political speeches, classical economic theory, after-dinner oratory, diplomatic notes, newspaper editorials, treatises on pedagogics and education, expert financial comment, dissertations on money and credit, accounts of debates, and Great Thoughts from Great Thinkers in general. You would be surprised at the amount of time this saves.
That the Op-Ed page is very important in readers' and the nation's perception of the Times, the perception of its editorial positions, and of its implicit editorial positions as expressed by the publisher's choice of people who are given the freedom to write opinion columns.
I don't watch the nightly newscasts on TV . . . nor do I watch the endless hours of people giving their opinion about things. I don't read the editorial pages; I don't read the columnists. It can be a frustrating experience to pay attention to somebody's false opinion.
There were always plenty of newspapers in the house. The Times, Guardian, Daily Telegraph and Daily Mail were all regular fixtures on the coffee table. I used to enjoy reading The Times editorial pages and the Daily Mail sports pages.
When I was in Sri Lanka with the [Tamil] Tigers, there were editorials in the paper saying that soldiers really had to stop raping Tamil women at checkpoints because they were just creating more operatives. The [Tigers] were cognizant of this and exploited it: "Don't be a victim, join the movement.
I was never asked to join the Editorial Cartoonists Of America. No fraternity would have me in college, either. I think they know something.
Cincinnati at that time was also beginning to realize it had major cartooning talent in Jim Borgman, at the city's other paper, and I didn't benefit from the comparison.His footsteps seemed like good ones to follow, so I cultivated an interest in politics, and Borgman helped me a lot in learning how to construct an editorial cartoon. Neither of us dreamed I'd end up in the same town on the opposite paper.
I think any good cartoon sums things up for people. It's kind of ironic we appear on the editorial pages of newspapers, but now of course we're transferring over to the net, and that gets a lot more attention.
I measure the amount of shows I should do by my hair. If my hair isn't good for campaigns and editorials, then obviously I am not going to look good.
Everything written, if it has anything in it, will offend someone, and if the mere taking of offence was to amount to a licence to kill the offender, well the world would be sadly underpopulated of novelists, columnists, bloggers, and the writers of editorials.
The media didn’t hand it to Obama; after all, the Number One cable news channel, Fox, is right-wing. The Number One newspaper, the Wall Street Journal, also has a right-wing editorial slant (and is owned by the same guy who owns Fox News). The Number One talk radio show is Rush Limbaugh, and Sean Hannity is Number Two, and Glenn Beck is Number Three. When you control all the largest media outlets, it’s time to stop grousing about liberal media bias.
Media bias in editorials and columns is one thing. Media fraud in reporting 'facts' in news stories is something else. ...The issue is not what various journalists or news organizations' editorial views are. The issue is the transformation of news reporting into ideological spin, along with self-serving taboos and outright fraud.
Of course it's contrived, but once you know how its contrived, you can understand the editorial viewpoint. CNN, for example, when you see where they're really coming from, you can subtract their bias, and get some sort of facts. Sometimes the amount of bias that is imposed in these things is so laughable that it gives you an extra layer of entertainment.
I don't pay any attention to what the Baltimore Sun editorial page says about anything.
I think the editorial page of the Washington Post is the best in the country. I think the editorials - considering it's a liberal town, liberal constituency and from the liberal tradition - I think it's the best editorial page around. It's quite balanced.
If you give a little credit to the concept of the artist, I think you ought to indulge excesses a bit, because that reflects the personality of the writer. Now if a joke is in bad taste or it's not funny, okay, that's awhole different thing, but how you craft a joke is really what the writer's job is, and I don't think that technique should be subject to any editorial constraints.
We exercise great caution in airing an audio- or videotape released by a terrorist organization holding a hostage. These are decisions made by CNN's editorial staff and not by any third party.
The first job I was offered was as an editorial assistant. I think it was the best thing for me, in terms of being a storyteller by nature, to have spent years being an editor because I learned so much from it.
I was painting sets, working in editorial as an assistant, driving their trucks... lying that I knew how to drive a truck... and doing commercials and documentaries.
Each time I did assignments or editorials, I realized that I wanted to do something more. I saw that it wasn't just about the clothes.
Babelgum has no ties to individual content owners and distributors, and as a result our editorial strategy is primarily 'user-centric.' That strategy ensures the platform satisfies the needs of a potentially infinite number of niche audiences around the world.
Much of the big media outlets in North America are owned by arms manufacturers, like Westinghouse, or G.E. [General Electric]. That's unacceptable. So we're not getting editorial policy, we're not getting a vision of truth. People just don't know what is going on anymore, and that's really dangerous stuff.
Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
Contrary to the claims of some of my critics and some of the editorial pages, I am an ardent believer in the free market.
All forms of books make a valuable contribution to education and the dissemination of culture and information. The diversity of books and editorial content is a source of enrichment that we must support through appropriate public policies and protect from uniformity.
I'm at a stage in my career where I don't expect or get too much editorial input into what I'm doing. I have a proven track record of success, so my editors are willing to cut me some slack even when a particular approach is not to their personal taste.
What can Americans learn from the Olympics spectacle? According to the IMF, China will succeed America as the dominant economic power in the course of the next presidential term, so Howard Fineman, editorial director of the Huffington Post and MSNBC mainstay, was anxious to pick up tips. 'Brits long ago lost their empire,' he tweeted, 'but overall show us how to lose global power gracefully.' So there's that.
An illustration is a visual editorial - its just as nuanced. Everything that goes into it is a call you make: every color, every line weight, every angle.
All I can do is advocate changes at the BBC while respecting editorial independence upon which the success of the BBC rests. I can't do anything that requires the BBC to pay certain people certain amounts.
...the traces to the East haven been broken, the Republican party will never again be dominated by the editorial writers for the New York Herald Tribune. Free at last.
Vanity Fair has but two major articles in its editorial creed: first, to believe in the progress and promise of American life, and, second, to chronicle that progress cheerfully, truthfully, and entertainingly.
I can only assume that your editorial writer tripped over the First Amendment and thought it was the office cat.
My days are kind of controlled by my projects, so sometimes they're album covers. Sometimes they're commission portrait shoots. Sometimes they are editorial, so it kind of - I don't dictate it.
It's all about setting new goals. I reached one goal when I got the Sports Illustrated cover, which was such a surprise to me. Then after that I had a meeting with my agency who asked, "What do you want to do next?" I'd love to do more TV, I want to do more editorials, more high-fashion stuff. It's like picking it all and doing it.
I had to jump out of a plane! The shoot was for an editorial for a magazine; and it called for skydiving.
The American press is, and always has been, a booster press, its editorial pages characteristically advancing the same arguments as the paid advertising copy.
I got a job in the tear-sheets department, ripping up magazines like People, Fortune, Sports Illustrated, and Time, and delivering the editorial pages.... So I began to use a camera to make fake photographs of the ads. By re-photographing a magazine page and then developing the film in a cheap lab, the photos came out very strange.
As for editorial content, that's the stuff you separate the ads with.
Over the years since I became a Christian, I have always deliberately explained that I have 'accepted Jesus Christ.' These words are invariably translated into 'Colson's professed religious experience.' I discovered that one major U.S. daily, as a matter of policy, will not print the two words Jesus Christ together; when combined, the editor says, it represents an editorial judgment.
For me - showing a half-finished manuscript is tricky. Just as a bird will get spooked and abandon her eggs if some outside party comes around and makes too much noise or pokes around the nest too intrusively - well, that's what it's like for me if I show work too early and I get a lot of editorial suggestions at the wrong time.
The ethics of editorial judgement, however, began to go though a sea change during the late 1970s and 80s when the Carter and Reagan Administrations de-regulated the television industry.