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I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.
Sep 10, 2025
I have to give the SNL crew props - it cannot have been easy to work with me.
It's very important to me, who I play with and the same about picking a crew of people.
I love shopping. It's one of my favorite things to do with friends! My favorite stores are H&M, J.Crew, Gap, and Nordstrom.
Before I got into stand-up, I used to be a hip-hop dancer in a crew, and my name was J. Smoove, and my partner was J. Groove.
I don't do anything by myself. I have a whole crew to get me ready every day.
I mean, 3-D adds a whole level of 'oh my goodness' to the movie in good ways and bad ways that you have to deal with. We've overcome any obstacle that we've ever had because we have a great 3-D crew, Max and the guys at Paradise 3-D.
The first scene I shot on The Originals was the one with Phoebe, Charles (Michael Davis), and Andy Lees when we are plotting our plan and surveying the map and plotting our grand "break in." It was a relatively light scene which was nice because I was able to warm up a bit and get comfortable with being around the new crew. They were all very kind and helpful and I felt pretty at home after a few takes.
I can work in London. A British journalist asked me if I had any trouble working with an English crew, as an American, and I said I might have if I was from Scotland, but I'm from Massachusetts, which is sort of Oxfordshire, but more intellectual. That's kind of unforgivable but you've got to let them have it.
I've always loved working on series. The crew feels like a family and it's nice to have a regular gig that you can count on.
In some ways I think it [the strike] was important. I'm not sure that "worth it" is the right term, but it was important. A lot of people lost a lot of things - I was greatly concerned for our crews. Those are the people who really sort of paid. A lot of us in quiet ways did everything that we could to help people pay mortgages.
I loved having a crew. I loved being the person who woke at six in the morning and knew where to put the camera. I loved watching the actresses cry, and to know that if you were clever and didn't do too many rehearsals, that it just came that way.
It is first and foremost very hard work! But I have a wonderful part and I do have fun. The company, cast and crew of 'Passions' are wonderful to work with.
I have a wonderful make-up crew. They're the same people restoring the Statue of Liberty.
I have a job that I truly love, and an enormous crew of people that can do things better than I can!
Selection of crews is always been somewhat of a mystery.
That's the first rule of command; be consistent! You can be sadistic, you can be lazy, you can be stupid, but if you're consistent the crew will still let you sit in when they play dominoes.
In college, I was an editor on the student daily... To the extent that I noticed the existence of crew at all, I saw only what appeared to be big-boned acolytes who rose at dawn.
The way I lived, I grew up in a time where people would take your shoes, they'll take your jacket, they'll take your cheese without a gun. So people would jump on you - this was like fourteen, fifteen years old. So it always taught me that you gotta have your crew, in some ways you gotta move, don't put your self in harm's way, and definitely if you're a street dude and want any kind off credibility, don't put yourself under the mercy of anybody else, or you'll be at their mercy; they can do what they want to do to you.
Ground the main character in stupidity. Hire a good cast and a good crew.
First of all, it was wonderful to have a home. Consistent work when you're a journeyman actor, when you're a character actor, is really hard to come by. When you can get it, you have to cherish every moment of it - cherish the crew, cherish the cast, cherish the stage, cherish everything. Because when it's over, it's really hard to get back.
I personally find that each instalment has a different director, cast and crew, and I've also been in a different season in my life for each of them, so I feel like each movie is a unique experience that centres around my undying passion for music and dance.
When I was just about to leave, and when I realised that I wasn't going to wake up in the morning and do this again - that was probably the hardest thing for me. Leaving this family that I'd created on set, with all the cast and the crew was very sad for me.
The biggest challenge [for movie Agnus dei] - working in a foreign country with a predominantly Polish cast and crew - also proved to be the biggest blessing. Being surrounded by all this change , [both] culturally [and] linguistically, was a new and refreshing inspiration.
Quentin [Taranino] will say, "We've got it, but we're gonna do it one more time. Why?" And then, the entire cast and crew chimes in and says, "Because we love making movies!" He is a person who celebrates this form of expression, and it is evident in his movies, his conversations, his extensive knowledge about the history of what we do, and the actors and crew that he assembles.
What would Kathy say if she knew I let the whole crew eat those Oreos when they never did eat their carrot sticks (which I had so firmly required as prerequisite)? All three of my kids were probably heading for disease (not enough veggies) and jail (not enough discipline).
It's never happened to me before, in my career, and never will again. It's a one-off experience. It's a rare treat to have a cast together for six years. Crews come and go, and a few of them have been there throughout, but not many. It's rare, in my experience, after 26 years, to have had a proper company in a show that enjoys each other's company, and who is such a fine bunch of people and actors. To have struck a chord with people, and to have had that combination, is extremely rare.
The only way to get a good crew is to marry one.
The chance for mistakes is about equal to the number of crew squared.
I think the movie business and film crews are a little bit like the circus, in that we travel around like a pack and we're a big family for a finite period of time. We roll into someplace, cause a bunch of damage, and then roll out.
How does newness come into the world? How is it born? Of what fusions, translations, conjoinings is it made? How does it survive, extreme and dangerous as it is? What compromises, what deals, what betrayals of its secret nature must it make to stave off the wrecking crew, the exterminating angel, the guillotine? Is birth always a fall? Do angels have wings? Can men fly?
I watch reality TV , but unless you have been part of that crew, unless you've sort of been immersed in that culture in what's happening, unless you have been in that concentrated moment, you wont believe it unless you're there. And with 'Ton of Cash' we just hope that we captured all of the best moments.
The crew of the caravel "Nina" also saw signs of land, and a small branch covered with berries. Everyone breathed afresh and rejoiced at these signs.
I don't need 15 houses. Owning real estate doesn't mean much to me. I don't like to think about things like that. I don't need 12 boats, or even the world's largest boat with a crew of 80. I'd have to take care of them, to worry about them. I get a lot more fun out of life without all the bells and whistles.
I really enjoyed working with New Zealanders as crew members, as teammates. They're great, and it's a beautiful country. It's one of the most beautiful places I've ever been, and I've traveled quite a bit.
To the brave crew and passengers of the Kobayshi Maru…sucks to be you.
People who are close to me know, they so know that there were days when I was so tired that I would fall asleep anywhere. The onset photographer has pictures of me falling asleep everywhere. Like on chairs, on the floor, in the middle of a set, all curled up. There were times when crew members didn't know where to find me, but they knew I'd be curled up in a ball somewhere.
If you help them (the crew) create good memories, they'll forget all the bad stuff
I found the people to be very kind and generous. It was unique because the crew was mainly Ugandan [filming The Last King of Scotland]. They had never done a film before. So, they were learning the process of making films, but at the same time they were also helping with the authenticity of the film.
Since I shoot, record audio and edit, I was able to begin the filming without hiring a crew and create a sample to show broadcasters and grant organizations.
I was in Japan, and my assistant director had worked with Kurosawa. I used quite of number of Kurosawa's crew.
After assembly complete, when we have a larger crew on orbit, a more complex vehicle, more laboratories and more robot arms, maybe we'll have room for specialists. But right now we don't.
The artistry on the show [ Underground] is apparent in each episode. From the riveting writing to the purposeful and precise direction, the masterful work of the DP [Director of Photography] Kevin McKnight and his crew, and the layers and depths each actor goes to to ensure we the audience feel a human connection to these characters led me to sign my name on the dotted line.
Nor aught availed him now to have built in heaven high towers; nor did he scrape by all his engines, but was headlong sent with his industrious crew to build in hell.
The white youth of today have begun to react to the fact that the American Way of Life is a fossil of history. What do they care if their old baldheaded and crew-cut elders don't dig their caveman mops? They couldn't care less about the old, stiff-assed honkies who don't like their new dances: Frog, Monkey, Jerk, Swim, Watusi. All they know is that it feels good to swing to way-out body-rhythms instead of dragging across the dance floor like zombies to the dead beat of mind-smothered Mickey Mouse music.
A well-run restaurant is like a winning baseball team. It makes the most of every crew member's talent and takes advantage of every split-second opportunity to speed up service.
You don't often get what you ask for, and I got exactly that. I got a show that was on cable, that I could shoot five months a year and go be mommy the rest of the time, and be with a cast and crew that I really, really love, adore and respect. I got all of that.
Someday hopefully it won’t be necessary to allocate a special evening to celebrate where we are and how far we’ve come…someday women writers, producers and crew members will be so commonplace, and roles and salaries for actresses will outstrip those for men, and pigs will fly.
People who think achieving success is a linear A-to-Z process, a straight shot to the top, simply aren't in touch with reality. There are very few bona fide overnight success stories. It just doesn't work that way. Success appears to happen overnight because we all see stories in newspapers and on TV about previously unknown people who have suddenly become famous. But consider a sequoia tree that has been growing for several hundred years. Just because a television crew one day decides to do a story about that tree doesn't mean it didn't exist before.
A family ship will never sink until it is abandoned by its crew.